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Wallpaper fragments dating to 1760 are the inspiration for this glamorously golden shade. Pair it with antique furnishings for a formal, flattering look.
Based on 18th century white paints tinged with a touch of yellow ochre pigment, this pale, lemony yellow is youthful and fresh.
A traditional tan, this versatile neutral is inspired by 18th century white paints tinted with yellow ochre pigment. Located in the Wythe house which served as the headquarters for George...
Inspired by the elegance and refinement of George Wythe, this rich shade of gold is based on 18th century paints made with yellow ochre pigment. It conveys integrity and virtue.
An opulent ochre, this warm, aristocratic shade has the decorative quality of heirloom furnishings and fixtures. It was inspired by yellow ochre's ability to take on a green hue.
This deep, graceful gold is based on paints made with a darker yellow ochre, imparting lots of warmth and density.
This poised and elegant hue owes its depth to the use of darker yellow ochre pigments in the 18th century.
Inspired by the simple grandeur of the Duke of Gloucester Street, this sublimely subtle shade is a mix of lamp black, verdigris, yellow ochre and white.
Lush yet low-key, beautifully balanced Burwell green traces its color history to a mix of the pigments lamp black, verdigris, yellow ochre and white.
This mossy, memorable green, a mix of lamp black, verdigris, yellow ochre and white pigments, is a balance between elegant and earthy.
Suggesting an eco-friendly attitude, this soft green takes its name from the naturally occuring pigment of the same name.
A light and breezy shade of spring green, this color captures the shade of a naturally occurring green pigment.
A vibrant hue as playful and fun as its name, Parrot green is seen in 18th century chinoiserie wallpaper in Colonial Williamsburg's collections.
Based on early 19th century paint evidence found on the Timson House located just outside the historic area.
A deep, rich green with a touch of brown, this shade was created using popular 18th century pigments such as Prussian blue, yellow ochre and lamp black.
This fresh, fashionable shade of green, a part of Colonial Williamsburg's revival color palette, feels modern and sophisticated.
A part of Colonial Williamsburg's revival color palette, this beguiling and contemporary shade of fresh green packs a stylish punch.
Sleek and stylish, this light, luminous shade of soft green has a sun-kissed quality. It is part of Colonial Williamsburg's revival color palette.
A spring green with a fashionable twist, this richer shade, a part of Colonial Williamsburg's revival color palette, has a more modern sensibility.
A deep green that suggests wisdom and maturity, this more masculine shade has velvety richness. It is part of Colonial Williamsburg's revival color palette.
This poised and elegant green was made using popular 18th century pigments such as Prussian blue, yellow ochre and lamp black.
Smokey and supple, this very deep shade of green captures the look of verdigris as it ages.
A mixture of the pigments verdigris and white, this restful, reassuring shade is anchored in the vibrant, dense beauty of the sea.
A mixture of Prussian blue, white and naturally occurring yellows, this rich, well-appointed green imbues rooms with style.
This pronounced, almost playful shade is based on the paint color found by researchers on a late 18th century house near Williamsburg.
Opulent Colonial verdigris takes its color cue from the patina of aged verdigris paint. A prominent shutter and door color after the Revolution, it is deep and decorative, suggesting Old...
Though anchored in the 18th century greens found by researchers, this deep, less conventional green makes a fresh, bold design statement.
This historic yet high-spirited green is based on the 1770s orders and account books of Lord Botetourt for green wallpaper at the Governor's Palace.